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The Small Movements

Part 2 Chapter 12

By Elisa WontorcikPublished about 8 hours ago 3 min read
The Small Movements
Photo by Ahmad Odeh on Unsplash

The Small Movements

The small movements are the only movements I have left.

Not the rising.

Not the walking.

Not the reaching.

Those belong to a different version of me — the one with momentum, the one with light, the one with enough internal voltage to animate a full body.

Down here, in the Ground’s gravity, movement becomes something else entirely.

It becomes minimal.

It becomes microscopic.

It becomes the only thing I can still control.

The first small movement is the breath.

Not deep.

Not steady.

Just present.

A slow inhale that doesn’t fill my lungs.

A slow exhale that doesn’t release anything.

Breathing becomes a quiet negotiation — not to calm myself, not to ground myself, but simply to continue.

The second small movement is the blink.

A soft closing of the eyes.

A soft reopening.

A tiny reset.

A tiny moment of darkness I can control.

A tiny reminder that my body still responds to something.

The third small movement is the shift of weight.

Barely noticeable.

A slight adjustment of the hips.

A subtle repositioning of the spine.

A quiet attempt to relieve the pressure of sitting in the same place for too long.

It’s not restlessness.

It’s survival.

The fourth small movement is the swallow.

A clearing of the throat without sound.

A reminder that my body still knows how to keep itself alive even when my mind is slow, dim, and heavy.

The fifth small movement is the hand twitch.

A finger flexing.

A thumb rubbing against the edge of a nail.

A palm pressing lightly against my thigh.

Not fidgeting.

Not anxiety.

Just proof of life.

The sixth small movement is the gaze shift.

My eyes move from one point to another — not because I’m curious, not because I’m engaged, but because staring at the same spot too long makes the world feel even heavier.

The shift is tiny.

Barely a few inches.

But it counts.

The seventh small movement is the micro‑nod — the smallest acknowledgment of something someone says.

A gesture so faint it barely moves my neck.

A signal that I’m still here, even if I’m quiet, even if I’m slow, even if I’m sinking.

My children notice these movements more than anyone else.

They see the way my fingers tap once against my leg.

They see the way my shoulders rise a fraction of an inch when I inhale.

They see the way my eyes soften when they speak.

They don’t see a collapse.

They see the small movements that mean I’m still present.

The eighth small movement is the thought that forms — slowly, dimly, but still forming.

A single sentence.

A single intention.

A single spark of awareness.

Not enough to act on.

Just enough to prove the mind hasn’t gone silent.

The ninth small movement is the shift from one moment to the next.

Not progress.

Not improvement.

Just continuation.

A quiet, steady endurance that doesn’t look like anything from the outside.

The small movements are not signs of recovery.

They are signs of existence.

They are the body’s way of saying:

I am still here.

I am still trying.

I am still moving, even if no one can see it.

The small movements are the only movements I can make in the Ground’s gravity.

They are not dramatic.

They are not visible.

They are not enough to lift me.

But they are enough to keep me from disappearing completely.

This is the truth of the Ground:

when the body cannot rise,

when the mind cannot race,

when the days blur,

when the dimming settles,

when the panic goes silent,

when the quietest version of me takes over —

the small movements are what remain.

And they are enough to keep me alive inside myself.

Poetry

About the Creator

Elisa Wontorcik

Artist, writer, and ritual-maker reclaiming voice through chaos and creation. Founder of Embrace the Chaos Creations, I craft prose, collage, and testimony that honor survivors, motherhood, and mythic renewal.

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